Lawyer Marsha S. Brooks, graduated from University College of Arts and Sciences of New York University, B.A., cum laude, 1971 Hofstra University, J.D., 1974, is now employed by Brooks & Distler at 110 East 59th Street, 23rd Floor New York, NY 10022.Marsha S. Brooks is one of the more than one million lawyers in United States. Before choosing Marsha S. Brooks as your lawyer, you should consider whether Marsha S. Brooks offers free consultation, (if not) how much the initial interview costs, if there is any hidden attorney fees, what's the fee schedule, whether he or she has good community reputation and is able to provide a list of good references. You can also contact the Board of Professional Responsibility of the state bar, to find out if Marsha S. Brooks has ever been placed under any disciplinary actions. Please be aware that, though Marsha S. Brooks's office is located at New York, NY, he or she might belong to the bar association of other states.

You should also ask how long the lawyer has been in practice, how much experience he or she has in cases like yours, and more importantly, the outcomes of those cases! Focus of the lawyer's practice and years of experience are also very important factors in your evaluation process. The more focused the lawyer's practice areas, the better service he or she could provide. So do not make decisions solely on one or two factors. Only hire lawyers you feel comfortable with as they will represent you and your interests, and you will be sharing private details about your life with them.

Marsha S. Brooks has been admitted in 1975, New York, U.S. District Court, Southern District of New York and U.S. Court of Appeals, 2nd Circuit. His or her practice areas include Entertainment; Media; Intellectual Property.

Marsha S. Brooks's college and law school education includes University College of Arts and Sciences of New York University, B.A., cum laude, 1971, Hofstra University, J.D., 1974. Other biographical background includes Phi Beta Kappa. Adjunct Professor, Hofstra University School of Law, 1990-1995. Author: "The Legal Aspects of Producing For Legitimate Theatre," (chapter) in Entertainment Law, New York State Bar Association, 1990; Chapter Author in "No Identity Crisis," by Melvin and Mario Van Peebles, Fireside, Simon & Schuster, 1990; "Negotiating and Drafting Stage Contracts," (chapter) in The Dow Jones-Irwin Handbook for Entertainers and Their Professional Advisers, 1987. Co-Author, "Setting the Stage," Legal Aspects of International Film and Television Co-productions, Daily Variety, June 26, 1991. Lecturer: "Deals: Producers' Relationships with Agents and Attorneys," The Broadway League October 27, 2009; "Legal Aspects for Producing in Commercial Theatre," Commercial Theatre Institute, April 26, 2002; "Securing Talent and Financing for Motion Pictures," ABA and Harvard Symposium on Entertainment Law, April 20, 1996; "Licensing Issues in International Copyright Transactions," Stanford Law School, March 17, 1993, March 16, 1995; "The Business of Commercial Theatre," Stanford Law School, March 14, 1996; "The Business of International Commercial Theatre," Stanford Law School, April 7, 1998; "International Theatre Productions," (Foreign Rights), Law and Theatre Seminar, Columbia Law School, March 24, 1992, March 9, 1993, March 29, 1994, March 28, 1995, April 1, 1997 and March 31, 1998; "Legal Aspects of Producing in the Commercial Sector," Commercial Theater Institute, February 10, . You should contact other lawyers and law firms nearby before choosing your legal representatives.

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